Dave Mathew's Band

Gigz Giger with Boyd Tinsley

Rock N' Roll Reporter October,'95



GG: As a violinist, what were some of your influences in 
     your formative years as a musician?
Boyd: I started playing the violin sort of by accident,
     when I was about ll or 12, going to middle school.
     I wanted to be a guitar player. So, I joined this
     class that said strings and it turned out to be a 
     stringed orchestra class. I started to play the 
     violin and that introduced me to a lot of 
     classical music and music with strings in it. And
     that's what I listened to through high school. 
     Most kids were listening to a lot of rock n' roll,
     and I was listening to Mozart, Chopan. That was a 
     large part, plus on part of that a lot of 60's and
     70's rock and roll.
GG: How does a violinist become part of a rock band 
     lineup?
Boyd: I guess it's just an attitude.(laughs) I was
     already in another rock band when Dave asked me to 
     join his band. Actually, I've been in a couple of
     rock acoustic duo's and things like that. That's 
     what really I've been doing for the past 10 years
     or so.
GG: Were you into Kansas at all? They were one of the 
     pioneers on incorporating violins in their music
     on a regular basis.
Boyd: I listened to Kansas... and I liked them, but I 
     wasn't heavily influenced by them. That is
     definately were I got the idea-like how to use the 
     violin in an alternative setting, other than just
     classical music, country music, or whatever. 
     They're definately one of the bands that opened my
     eyes to that.
GG: How did the five piece lineup hookup?
Boyd: Dave had worked at this bar called Miller's in 
     Charlottesville for a while and we had all played
     there, and David had seen us all play. He had these
     songs that he wanted to put together on a demo
     tape, and asked each of us to record with him. We
     said yes obviously, and we were doing a couple of
     gigs at a restaurant called the Eastern Standard on
     Tuesday nights just to prepare for this recording.
     That's were the band began, we really liked what 
     was happening there. We decided to stay together 
     beyond the demo recording. And here we are 4 or 5
     years later.
GG: How did John Popper from Blues Traveler become 
     involved on your debut "Under the Table and
     Dreaming?"
Boyd: We've known John pretty much almost from the 
     beginning. Their soundman was a big fan of ours, 
     and he introduced Blues Traveler to us. And we 
     opened some shows for them that were really on, 
     and that started our relationship. John had been 
     sitting in with us, and various members of our 
     band were sitting in with Blues Traveler over the
     last couple of years. He was a pretty natural pick 
     when we wanted to have someone sit in on the album.
GG: You're band has toured with our hometown hero's
     Rusted Root. Do you think the music scene has 
     expanded because of the newer, more diverse bands?
Boyd: I think it definately could be. There's a lot of
     cool bands that seem to be popping up, and doing 
     well. It could only help in having a scene of 
     diversity out there.
GG: How did RCA come to find the band?
Boyd: We were on our own for a couple of years, with our
     manager, and I guess doing well-picking up some 
     following at different places and about to release 
     our own album. This caught notice of RCA and a few
     other record companies. But RCA was the most 
     determined(chuckles), and eventually got us. 
     They're also people who are really interested in
     the music... and it's really turned out to be a 
     good relationship so far.
GG: This CD has been out for a while, and you guys have
     been on the road quite extensively since then. Is 
     there any new material in the works?
Boyd: We have 6 or 7 songs that we've been working on
     since the last tour that we're preparing for the
     studio. I think more songs will probably transpire
     before the studio, and in the studio as well.
GG: Will you re-release your indie album Remember Two
     Things?
Boyd: It's still out there. It's probably not as readily 
     avaliable in record stores as Under the Table and
     Dreaming. Because it's basically distributed 
     through our own offices, and not through RCA.
GG: How did you come up with the violin solo in "Ants
     Marching"?
Boyd: I really don't remember. I'm trying to recall 
     when we recorded that, it wasn't too many takes. 
     Steve Leuywise is our producer and basically said,
     'Look, just go in play a couple of times and have a
     good time.' It's a pretty laid back philosophy, and
     it's pretty much what we did.

Interview Page Rock Circus Contents

Contents / Gigz's Bio / Barbie's Bio / Zoa's Bio / Beth's Bio / Playlists

Interviews / News & Contacts / Photos / Mission / Reviews / Message Board / Links